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{"id":942,"date":"2010-05-25T20:11:02","date_gmt":"2010-05-25T20:11:02","guid":{"rendered":"http:\/\/www.mariacarrascal.com\/?p=942"},"modified":"2016-10-12T21:34:26","modified_gmt":"2016-10-12T21:34:26","slug":"teresa-parodi-el-canto-de-todos","status":"publish","type":"post","link":"http:\/\/www.mariacarrascal.com\/?p=942","title":{"rendered":"Teresa Parodi &#8211; El Canto de Todos"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"http:\/\/www.mariacarrascal.com\/wp-content\/uploads\/2010\/05\/teresa_parodi.jpg\" alt=\"\" title=\"teresa_parodi\" width=\"393\" height=\"240\" class=\"alignleft size-full wp-image-1010\" \/><\/p>\n<p>Mercedes Sosa y Teresa Parodi no s\u00f3lo compartieron una afinidad musical, tambi\u00e9n una amistad fraterna y un compromiso profundo con su canto y su pueblo.<br \/>&nbsp;<br \/>\nEn los \u00faltimos a\u00f1os, esa amistad se hizo m\u00e1s fuerte y m\u00e1s cercana, casi familiar. Teresa siempre tuvo a Mercedes como un referente indiscutido, y Mercedes supo ver en Teresa no solo a una colega y amiga, sino tambi\u00e9n a una autora formidable, a quien le grab\u00f3 varias canciones a lo largo de su carrera. El germen de este espect\u00e1culo EL CANTO DE TODOS nace all\u00ed, en el cari\u00f1o, la admiraci\u00f3n y la certeza de Teresa de que el camino que abri\u00f3 Mercedes, debe seguir transitandose para honrar su memoria.<\/p>\n<h1>Videos<\/h1>\n<table border=\"0\" cellspacing=\"2\" cellpadding=\"0\" width=\"950\">\n<tbody>\n<tr>\n<td><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/JYRrJ4lVIJk\" frameborder=\"0\" allowfullscreen><\/iframe><\/td>\n<td><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/b-m9swUlFQc\" frameborder=\"0\" allowfullscreen><\/iframe><\/td>\n<\/tr>\n<tr>\n<td colspan=\"3\">\n<h1>M\u00e1s acerca de Teresa Parodi<\/h1>\n<p>Autora, compositora e int\u00e9rprete argentina. Es autora de unas 500 canciones grabadas por los artistas m\u00e1s celebrados de Am\u00e9rica Latina, la legendaria Mercedes Sosa entre ellos. Tiene 22 discos grabados. Es Ciudadana Ilustre de la Ciudad de Buenos Aires.<br \/>&nbsp;<\/p>\n<p>En la actualidad dirige el Espacio Cultural Nuestros Hijos (ECuNHi) de las Madres de Plaza de Mayo.<br \/>\nIntegra las comisiones directivas de la Sociedad Argentina de Autores y Compositores (SADAIC) y de la Asociaci\u00f3n Argentina de Int\u00e9rpretes (AADI).<br \/>&nbsp;<\/p>\n<p>Tuvo a su cargo la Direcci\u00f3n General de M\u00fasica de la Ciudad de Buenos Aires.<\/p>\n<p>PREMIOS<\/p>\n<p>1994 \u2013 Asociaci\u00f3n de Cronistas del Espect\u00e1culo, mejor disco Solista Femenina<br \/>\n1995 \u2013 Konex de Platino al mejor Autor\/Compositor de la d\u00e9cada<br \/>\n1996 \u2013 Premio Estrella de Mar por su unipersonal \u201cComo dicho al pasar\u201d<br \/>\n1999 \u2013 Fondo Nacional de las Artes \/ Cam\u00edn de Oro a la Trayectoria \/ Bamba<br \/>\n2003 \u2013 Gardel a la M\u00fasica<br \/>\n2005 \u2013 Konex Autor\/Compositor de Folklore<br \/>\n2007 \u2013 Gran Premio SADAIC M\u00fasica Nativa<br \/>\n2010 \u2013 Radio Nacional, 90\u00ba aniversario de la radiofon\u00eda argentina, Por su trayectoria en la cultura.<\/td>\n<\/tr>\n<tr>\n<td colspan=\"3\">\n<h1>English<\/h1>\n<p><em> Teresa Parodi was born on December 30 1947 in the north-eastern province of Corrientes.<br \/>\nShe is a mother of five and a grandmother of twelve. She began composing on her own with her guitar at the age of nine. As a young woman she was a schoolteacher by vocation, an occupation that left a permanent mark on her attitude to music and life.<br \/>&nbsp;<\/p>\n<p>Brought up by the River Paran\u00e1, she started out cultivating the chamam\u00e9\u2014a danceable genre of Argentine folk music\u2014and later broadened her horizons to zambas, chacareras, huaynos, cuecas and any popular Latin American rhythms that came her way.<br \/>&nbsp;<\/p>\n<p>In the late 1970s she was the voice of the tango maestro \u00c1stor Piazzolla\u2019s Quintet.<br \/>\nAfter devoting herself to her career as a soloist, she was awarded the coveted Consagraci\u00f3n Prize at the 1984 Cosqu\u00edn National Folk Festival, the most important of its kind in Argentina.<br \/>\nIt is a hard task to keep track of the Gold and Platinum Discs she received in the mid-1980s when she used to fill the Luna Park Stadium in Buenos Aires.<br \/>&nbsp;<\/p>\n<p>Moving on to pastures new, in a career spanning over 30 years, she has been a constant presence at the thousand festivals across the wide open expanses of Argentina, while still finding time to fit in flights to performances in San Diego, Houston, Washington, New Orleans, New York, Los Angeles, Miami, Santiago de Compostela, Paris, Brussels, Cuba, Mexico D.F., Chiapas, Monterrey, Antwerp, Zurich, Barcelona, Matar\u00f3, Stockholm, Amsterdam, S\u00e3o Paulo, Berlin, Seville, Tel Aviv, Jerusalem, Barcelona, Saragossa, Quito and Asuncion.<br \/>&nbsp;<\/p>\n<p>She has authored around 500 songs, recorded by the most celebrated artists of Latin America, including the legendary Mercedes Sosa.<br \/>&nbsp;<\/p>\n<p>She has recorded 22 albums.<br \/>\nShe has been made a Distinguished Citizen of the City of Buenos Aires.<br \/>\nShe is currently director of the Our Children Cultural Space (ECuNHi), run by the Mothers of Plaza de Mayo.<br \/>\nShe is a board member of the Argentine Society of Authors and Composers (SADAIC) and the Argentine Association of Interpreters (AADI).<br \/>\nShe has also headed the City of Buenos Aires Directorate General of Music.<br \/>&nbsp;<br \/>\n<\/em><\/td>\n<\/tr>\n<tr>\n<td colspan=\"1\">\n<h1>Discograf\u00eda<\/h1>\n<p>1980 Teresa Parodi desde Corrientes<br \/>\n1983 Canto a los hombres del pan duro<br \/>\n1984 El purajhei de Teresa Parodi<br \/>\n1985 Mbae pa reico chamizos<br \/>\n1987 Teresa<br \/>\n1988 El otro pa\u00eds<br \/>\n1988 Letra y m\u00fasica<br \/>\n1989 Otras cosas<br \/>\n1990 Ya est\u00e1 la taba en el aire<br \/>\n1991 De amores, sombras y transparencias<br \/>\n1992 Pasiones<br \/>\n1993 Correntinas (with Ramona Galarza)<br \/>\n1994 Con el alma en vilo<br \/>\n1995 Como dicho al pasar<br \/>\n1995 Correntinas II (with Ramona Galarza)<br \/>\n1996 Parte de m\u00ed<br \/>\n1997 Se\u00f1ales de vida<br \/>\n2000 El canto que no cesa<br \/>\n2003 Soy feliz<br \/>\n2005 Peque\u00f1as revoluciones<br \/>\n2007 Autobiograf\u00eda<br \/>\n2009 Coraz\u00f3n de p\u00e1jaro\n<\/td>\n<td colspan=\"2\">\n<h1>Audios<\/h1>\n<p><strong>Cuando Tenga la tierra<\/strong> [audio:cuandotengalatierra.mp3|autostart=yes|loop=no]\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h1>Prensa<\/h1>\n<p><a href=\"http:\/\/www.losandes.com.ar\/notas\/2012\/3\/2\/teresa-parodi-inaugura-americanto-2012-627467.asp\" target=\"_blank\">Nota en Los Andes<\/a><\/p>\n<p><a href=\"http:\/\/www.elintransigente.com\/notas\/2011\/11\/16\/salta-cantara-mercedes-teresa-parodi-112263.asp\" target=\"_blank\">Nota en El Intransigente<\/a><\/p>\n<p><a href=\"http:\/\/nuevodiariodesalta.com.ar\/diario\/archivo\/noticias_v.asp?48397\" target=\"_blank\">Nota en Nuevo Diario de Salta<\/a><\/p>\n<\/td>\n<td colspan=\"1\">\n<h1>Booking Teresa Parodi<\/h1>\n<p><a href=\"mailto: mc@mariacarrascal.com\">mc@mariacarrascal.com<\/a><\/p>\n<p><a href=\"http:\/\/www.mariacarrascal.com\/wp-content\/uploads\/2010\/11\/logo-chiquito.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-627\" title=\"logo chiquito\" src=\"http:\/\/www.mariacarrascal.com\/wp-content\/uploads\/2010\/11\/logo-chiquito.jpg\" alt=\"\" width=\"248\" height=\"31\" srcset=\"http:\/\/www.mariacarrascal.com\/wp-content\/uploads\/2010\/11\/logo-chiquito.jpg 591w, http:\/\/www.mariacarrascal.com\/wp-content\/uploads\/2010\/11\/logo-chiquito-590x72.jpg 590w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/><\/a><br \/>\nLatinoam\u00e9rica en asociaci\u00f3n con Booking &#038; Management.<\/td>\n<\/tr>\n<tr>\n<td>\n<h1>Requisitos t\u00e9cnicos<\/h1>\n<p><a href=\"http:\/\/www.mariacarrascal.com\/?page_id=980\">Acceder >><\/a>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Mercedes Sosa y Teresa Parodi no s\u00f3lo compartieron una afinidad musical, tambi\u00e9n una amistad fraterna y un compromiso profundo con su canto y su pueblo.&nbsp;&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/posts\/942"}],"collection":[{"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=942"}],"version-history":[{"count":20,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/posts\/942\/revisions"}],"predecessor-version":[{"id":1703,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=\/wp\/v2\/posts\/942\/revisions\/1703"}],"wp:attachment":[{"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=942"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mariacarrascal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}